Plot of The Woman in the Window Movie

Plot of The Woman in the Window Movie

Plot of The Woman in the Window Movie. Joe Wright clearly falls short of Hitchcock’s imitators on the level of Michelangelo Antonioni with Magnification and David Mitchell’s Under Silver Lake. Instead of a camera balancing act, there are a bunch of indistinct long shots, instead of a dynamic story, a broken tempo and weak twists. However, there is no need to yell foolishly about the inconsistency of the picture, especially since the film has been boiling in “production hell” since 2019.

Reshoots and a general regime of forced self-isolation played a role. A bummer on a bummer is driven by a bummer: the actors in the person of the already mentioned Adams, Gary Oldman; and Julianne Moore take out, but they don’t save, the atmosphere does not knit, the colors do not thicken; the intrigue does not take by surprise. A good thriller is easy to read, but difficult to read; which is a stretch to say about The Woman in the Window.

Also Read: The Woman in the Window Movie Review 

Design

Sensible design and attempts to catch the Hitchcockian vibe cannot withstand the weight of a clumsy story told with a bunch of crutches. Chaplin alone knows how many times the script was rewritten in more than two years of production. And how much material was cut inappropriately on the editing table, and it is scary to imagine.

You can do without the word “tortured” here. Without the word “offensive” – ​​in no way is it. “The Woman in the Window” is far from the most successful attempt to reproduce the Kuleshov meta-effect from Hitchcock’s iconic works and to present a well-cooked thriller ride. Well, the miracle did not happen, but there was a touch.

A place was found both for colorful characters and for acceptable visuals; but, alas, they forgot to invite the main guest, calculated from the graph paper of suspense, to the dinner party. The trick was not successful: the close-up was distorted; the subjective gaze was blurred, the reaction frame was rejected until called for.

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The Woman in the Window Movie Review

The Woman in the Window Movie Review

The Woman in the Window Movie Review. The more room for imagination, the better. There is such an amusing thing in cinema theory as the Kuleshov effect. A cunning cognitive trick on which any fictional film is based: the content of the next frame involuntarily distorts the meaning of the previous frame. Let us explain. The first shot shows a man’s face looking at the camera. Second shot – there is a plate of hot soup on the table. The third frame is the same physiognomy, which salivates from the aroma of a hearty dinner. But it is worth replacing the shots with an appetizing dish with, say, an image of a girl in a bikini, as in the mind of the viewer, a hungry stranger turns into a lustful pervert. Close-up, subjective glance, shot-reaction – here it is, the magic of cinema in a cut.

Surprisingly, a rare director makes an attempt to subject such a fundamental thing to a thorough revision. A rare director is about Alfred Hitchcock, the master of suspense, the king of thrillers and the funny joker who suffered from ovophobia (fear, who would have thought, of chicken eggs). This obese Briton in the same two-piece suit needs no introduction.

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The Experiments

Especially with the experiments of Lev Kuleshov, Hitchcock dabbled in the filming of the chamber mystery “Window to the courtyard” about a voyeur-photographer forced to sit at home with a broken leg and out of boredom to spy on the townsfolk living nearby with binoculars in hand. Things are going on, the office is writing, the floorboards on the lower floors are trembling, and the main character of “Windows” accidentally witnesses the murder, which he will investigate with grief in half the rest of the timing approved by the director. Hitchcock competently builds the illusion of observation; as if the protagonist is staring at an ant farm, into which a giant centipede has crawled. Close-up, subjective view, reaction frame. Together with the hero, the viewer will have to conjecture and interpret what is happening.

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Plot of Those Who Wish Me Dead Movie

Plot of Those Who Wish Me Dead Movie

Plot of Those Who Wish Me Dead Movie. Sheridan’s handwriting in “Those Who Wish Me Death” is not easy to discern, because the film is obscenely straightforward and juggles expectations rather sluggishly. “Good” and “bad” do not intersect an inch: no “gray morality” and even modest signs of complexity. There is nothing to stutter about the shock content of the revenge level of the grieving prosecutor from “The Killer”. Any hints of the author’s statement were seized by the destructive element of fire. And how the hell is she good. Few dare to dispute the steepness of the action scenes featuring graceful fire as the star of the program. The flame breathes, devours, hates and leaves behind ashes, black as an ace of spades.

Also Read: Those Who Wish Me Dead Movie Commentary 

 

The Comparation

Compared to other Sheridan’s films, Those Who Wish Me Death is a shallow digging, but remains a spectacular springtime entertainment that boasts postcard landscapes of the US Northwest and robust production. Moderately formidable, moderately evil and devilishly attractive outwardly, this film does not encroach on the laurels of a heavyweight movie about the banality of evil and good old ultraviolence. Fortunately, there is something to stick to. Yes and over than to be discourage too.

It turns out trivially: the distant smokejumper Hannah suffers from PTSD, vegetates on a fire tower at the devil’s horns and regularly puts her by the collar until a tear-stained schoolboy falls on her head, who is being hunted by a duo of seasoned assassins. It just so happened that the boy’s dad, a freelance accountant; inadvertently “dug” under someone who was not ask; than doomed the family to an audience with unscrupulous killers. And it started spinning … At least it should have.

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Those Who Wish Me Dead Movie Commentary

Those Who Wish Me Dead Movie Commentary

Those Who Wish Me Dead Movie Commentary. Actually, the narrative constants dispose to such a thing. We bend our fingers. The picturesque forests of Montana are in place. The strong-willed main character, tormented by the ghosts of the past, is present (haven’t seen each other for a long time, Miss Jolie). Authoritative “jackets”, covering up the traces of shadow activity with someone else’s hands, are right there. The beating of women (including women in labor), lead showers and extreme boy scouting against the backdrop of an unbridled forest fire – everything is like a manual. But only at first.

The intrigue declared in the tie dies out faster than a cigarette butt in a saucepan with compote. The corporate socialism of early Sheridan does not even smell here; as well as Western kitsch, and closer to the finale it turns into a painful catharsis. The director was never famous for extremely ornate stories loaded with exposition; but the script of “Those Who Wish Me Death” is too diligent to soften morals and refuses to biting.

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The Headline

As twice two four, it is clear that from the next feature movie by Sheridan, also with the telling headline “Those who wish me death,” the hardened viewer expects, first of all, a rough plot. More precisely, a real thriller; in which action-packed Cossack robbers get along with the inconvenient truth; about the conservation of life in the lands that stretch along the Oregon Trail.

Lastly Comrade Taylor is known as an unbiased screenwriter, writing masculine stories without a hint of sugar snot. There is no money and no buzz, no buckwheat belly cracks: brave drug fighters get stuck in corruption schemes; poor farmers huddle on the prairies and live from credit to credit, Redskins on reservations get drunk and blow crack. Sheridan portrays a world ruled by lawlessness and cruelty, a kind of “land of wolves”, stuck at the end of the era.

The Heroine Cliche of The Old Guard Movie

The Heroine Cliche of The Old Guard Movie

The Heroine Cliche of The Old Guard Movie. What else could one expect from the director Gina Prince-Bywood, who has been engaged in melodramas and comedies all her life? It looks as if she was assigned to this film only because she does not have Y chromosomes, because everyone knows that a man will never make a film about a strong, cool woman, Theron. Well, it is not given to all the inept like George Miller, F. Gary Gray or David Leitch to reveal the full potential of her heroines.

This, of course, is irony, and Theron, despite all the nitpicking, is the main actor’s decoration of the tape. Determination, fear, hatred, despair, humility, pain – she can masterfully reveal all emotions with just one perfectly readable look, and if The Immortal Guard were conceived exclusively as a drama in the style of The Age of Adaline, the film would not have a single question at all … Just put more Andromache’s suffering on the spectator’s plate and do not interfere with enjoying vivid emotions.

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Trying Differently

But no, Immortal Guard was presented as a completely different movie; and the film tries to be completely different from the very beginning. Well in the end, the viewer does not get what he wants – only a secondary and long-worn themes. And the team of filmmakers simply cannot offer him anything, because they do not know how; and works as best they can, giving out a third-rate dreary movie that is twenty years late. But with no reason kissing gays. Is this the way for all modern cinema now? Outdated scripts, so-so production from inappropriate directors and roles filled with inclusiveness rather than character charisma? Thank you, we’ll get through somehow

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Old Nagger in The Old Guard Movie

Old Nagger in The Old Guard Movie

Old Nagger in The Old Guard Movie. Modern cinema is not characterized by a lack of new ideas – believe me, sequels and remakes began to be stamped long before your birth, more than a hundred years ago. The main sore of most modern films is the lack of their own vision. The authors seem to be stuck in the 90s or early 00s and cannot turn on their fantasy, although they now have much more tools in modern cinema.

Bloodshot, Eurovision, Terminator: Dark Fate – they all try to emulate that golden era that people are nostalgic about. “Immortal Guard”; from the same breed of unprincipled legends that “it was better before, therefore we will shoot as then.” On the one hand, the authors of the tape really managed to shoot like then; on the other hand, it’s anything but a plus. Where did they get the idea that the scripts of those years can be adequately perceived; by at least some of the modern viewers and those who have already seen enough of them in their time?

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The Trailer Revelation

If you’ve seen the trailer, you can figure out the whole plot ahead and even draw some really correct movie conclusions. There is a group of immortal characters, led by the oldest and coolest warrior Andromache, played by Charlize Theron. Together they lived for hundreds and thousands of years, appearing exactly where they are needed and helping people. However, in the era of modern technology; people began to notice them more and more often and paid attention to their gift. The medical corporation; which shortly before the events of the tape saved the world from cancer; wanted to get all the remaining immortal warriors. Its purpose is clear – to study unique people in order to bestow immortality or at least maximum longevity to the rest of humanity.

Living Happily Ever After in Palm Springs Movie

Living Happily Ever After in Palm Springs Movie

Living happily ever after in Palm Springs Movie. They say that a wedding is a celebration. Although for many it is a real nightmare – the organizers, those who pay for it, young people and even some guests will confirm this to you. And if some say stereotyped and moralizing toasts, while others just drink and try to get into the panties of the bridesmaids, then the share of the third has personal mental suffering, turning the bright holiday of family education into a tragedy with indelible shame. However, even if the guest is from the last category, then everything can turn out differently. For example, there will be a strange chain of events that will forever stop the calendar for November 9 and allow some wedding participants to abandon past experiences and start a new life, even within the framework of one endlessly repeating day.

Palm Springs is another version of the slightly hackneyed theme of the cyclical nature of one date. Fortunately, the version is not bad at all, and even in the classic movie genre of Groundhog Day – a romantic comedy about the tragedy of his own life. However, it is still worth comparing the cinema not with the basic foundations, but with the recent TV series “Matryoshka”. Here, events also revolve around the holiday, and at least two main characters find themselves in a time loop – Niles and Sarah, who will have to try to get out of it. Or not try …

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Looped Day

Here’s the deal. Imagine that outside of a looped day you have complete uncertainty in your life, if not a terrible mess. For example, you have to live with your unloved soul mate or look guiltily in the eyes of your sister, whom you have caused severe pain. Isn’t it easier then to stay in an eternal cycle, living there a full life without responsibility and worries, and even with someone who is sincerely sympathetic to you? That is, if in other similar films the characters have an incentive to break the loop; then in Palm Springs the prospect of returning to ordinary everyday life does not entice the characters so much.

Actually, Niles and Sarah during almost the entire timing do not experience any discomfort from what happens to them; and the viewer can only get high with them. It is easier for the main characters to live, knowing that tomorrow will not come; and death is a temporary thing and will leave with the next dawn. Regularly entertaining the viewer.

Archive Movie Review

Archive Movie Review

Archive Movie Review. We are responsible for those we created. One of the most important and favorite themes in world science fiction is the victory over death. And even if we dream of a utopia without pain, but with happiness and immortality, it usually turns out the other way around – some completely unpleasant dystopia, where a good idea turns out to be inoperative and cruelly defiled. Otherwise, there would be no good intrigue in history, right? The idea of ​​the plot of the movie “My Creator” is also by no means new.

Here is a car accident, here is the death of a young girl, and now her husband is trying to cheat death and return his beloved with the help of advanced technologies. Keanu Reeves did this in Reproductions a couple of years ago, and the plots of both films are extremely similar in nature. However, so that “My Creator” was not such a plagiarism, they added a little bit of other fiction and diversified it with completely different ideas.

Also Read: Most Important Drawback in Project Power Movie 

 

The Concept

So, you know the concept, let’s move on to the details. In the not too distant future, a scientist-engineer will use a classified object for his own illegal purposes. First, instead of making robots for the company that hired him, he makes them for himself. Secondly, it violates another law, hacking the server of the Archive – a unique system that allows you to preserve the mind and memories of dead people for two hundred hours.

It is in such an Archive that his deceased wife lives, and the engineer has less and less time to manage to cram the consciousness of his beloved into one of the robotic samples he created. By the way, about them. The first, Jay-1, comes out so-so: no hands, no voice, just a box with legs, whose mind development stopped in childhood. Jay-2 is much better, she has human hands, voice and teenage mindset. It’s a pity, outwardly it still looks like a toaster.

Most Important Drawback in Project Power Movie

Most Important Drawback in Project Power Movie

The first and most important drawback in Project Power Movie. is that there is no feeling that the threat to the heroes is really taking place. Without her, the atmosphere is bursting at the seams; and it becomes difficult to root for the heroes in any way. The key villains are caricatured, hysterical and pathetic, they are not even allowed to try superpowers. Secondary villains (minions and hucksters) are more interesting, and each has its own ability, which can be killed with one hit. But they do not give a real look at it. Fights here are short, no more than a couple of minutes, and one of the very important minions for the movie plot is killed at all faster than you can blink.

 

Also Read: Tenet Movie Commentary 

The Second Problem

This brings us to the second problem – the setting. In “Brightness” the setting was shown in every frame; because of which the viewer had no doubt that even though the world was similar to ours, it was definitely different. In Project Power, where any junkie can become a Patriot; or Deadpool, there is only the beginnings of a new universe. The presence of the Force has not changed the world in any way. The viewer sees only about six transformations for the entire film; and even if the guy who changes the color is done and shown great; the rest end too quickly or are shown in the semi-darkness at all. Whether they exist or not, you won’t even remember them.

As a result, it turns out that the action is somehow not enough, and some kind of secondary drama; and the story is simple, like a five-kopeck coin lost at the bottom of your pocket. Is this really all that screenwriter Mattson Tomlin is capable of, according to the script of which the new “Batman” is being filmed? Well, then “Batman” is in serious trouble ahead of time.

Tenet Movie Commentary

Tenet Movie Commentary

Tenet Movie Commentary. Before filming, Nolan the perfectionist had polished his idea for six years (and invented – in general – twenty) and again consulted with Kip Thorne, the scientific consultant of Interstellar; on the set he did it for real, without a green screen, he even gouged a real plane – to perfectly show how conflicts in the present can give rise to conflicts in the future or with the future.

And now Nolan is trying to demonstrate the fruits of his labors as effectively and widely as possible; that is, to invite viewers from all over the world to cinemas; moreover, I wanted to conceptually time the premiere of Dovod to coincide with the tenth anniversary of the release of Nachalo, releasing a novelty in the middle of summer. And in the middle of a pandemic. That is, for the sake of a lesson about the future of all mankind, risk the future of each individual viewer. Such is the paradox.

By the way, about the Beginning. It has long been a theory that with the experiences of the Beginning and Argument unfold in the same universe. Why not They are like two parallel straight lines that could intersect under extraordinary circumstances.

Also Read: Tenet Movie Review 

 

Comparation

However, how much can you compare Nolan with Nolan For the sake of variety, let’s compare it with Denis Villeneuve and Ted Chan; and specifically – with the movie Arrival, which also knew a lot about manipulating time. The two films have in common both the anti-war message; and the humility of the heroes, in Argument expressed by the refrain what happened happened. But Arrival was fluid and feminine, while Argument was harsh and masculine. This is not about sexism, but about the gender of the main characters; and about their methods, even if such a division is sinning with gender stereotypes. So, Dovod is full of strong women – both in the special forces, and in the underworld, and everywhere else. Another thing is that one heroine of Arrival is written out more subtly; and more authentically than the crowd of heroines of Argument.

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Tenet Movie Review

Tenet Movie Review

Tenet Movie Review. The most interesting thing about Andrei is his surname. It is taken from the ancient Roman palindrome-square “SATOR AREPO TENET OPERA ROTAS”, in which two words “TENET” form an even cross. Has a whiff of Christianity, isn’t it It is no wonder that later this gibberish was used as a talisman. To further hint at his source of inspiration, Nolan sent the characters not only to the opera, but to Italy – after all, the earliest recordings of this palindrome were found there, on the ruins of Pompeii. However, the filming was carried out in many more places in India, Estonia, Denmark, Norway, Great Britain, the USA. The film takes a long journey, and the audience goes along with it.

The rest of the characters, like Andrei, are primarily functions, and then personalities. For example, Michael Caine again plays a wise advisor, and a scientist performed by Clemence Poesy hammers into the head of the Protagonist (and the audience at the same time) the key rule “Don’t try to understand. Feel. Could add right away “Still not clear Reconsider. But this is where the hassle arises you want to revise Inception and Interstellar, but Argument – not yet. It’s a concept movie that tries to be smart and dynamic at the same time, but it draws on science and even speed (two and a half hours of timing with regular action – no joke!).

Also Read: Plot of Mulan Movie 

 

Replays

Replays here on many levels in Interstellar; Kane’s character liked to quote Dylan Thomas’s poem Don’t Go Meekly Into the Twilight of Eternal Darkness … ; the twilight theme is picked up by the parallel between the sunset and the sunset of life. And the character of Robert Pattinson is not picked up Pattinson shines here without any sparkles; and clearly shows that it is not in vain that he has been honing his skills in the arthouse for so many years. At the same time, he was generously showered with mystery. As a result, the partner character turns out to be almost brighter than the main character.

There are parallels between the characters – but these are not repetitions, but reflections. The most indicative are Andrei and Neil, so opposite that they are even similar. And they slightly resemble a certain K. Nolan – not without reason there is an opinion that the creator is somehow reflected in his creations. Skill, humanism, gigantomania, passion for physics, obsession with an idea – this can be said about them (not always about both), and about him.

Plot of Mulan Movie

Plot of Mulan Movie

Plot of Mulan Movie. The canon romantic line slightly shredded. To begin with, “cutting” the animation captain Li Sang into the commander Tang and fellow serviceman Chen Honghui. Commander Tang is a servant to the emperor, a father to the soldiers and in general a family man, in addition, a friend of Mulan’s father, so he immediately drops out of love interests (which is a pity: the commander played by Donnie Yen is more charismatic than his colleague played by Yoson An). With Chen Honghui, Mulan goes from dislike to sympathy, chaste and deliberately secondary. Indeed, first of all, Mulan is not a romantic heroine, but a warrior. And it has always been – even as a child: the film begins with the background of the protagonist. This and other innovations make the remake more adult, epic, historical than the cartoon of the same name.

Also Read: Mulan Movie Commentary 

 

Cartoon Version

In the cartoon, after all, how? It began immediately with an attack by the nomads, and their leader Shan Yu gave a motivation a la “I am evil because I am evil.” Remeikovsky Borikhan is not exactly a beacon of originality, but at least he was given two sensible motivations: thirst for gold and blood feud. Plus Borikhan summons troops and strategically strikes at the sore spot – on the wallet: economic sanctions had not yet been invented, because the nomads simply cut out the cities that stand on the Great Silk Road.

Further, if the Cricket from the cartoon movie ever dreamed of becoming a real boy, then in the remake his wish came true: here Cricket is one of Mulan’s colleagues. Together with her and dozens of other recruits, he enjoys the delights of the barracks’ life; which, again, is much less comedic and more realistic than in the cartoon. There are no separate tents here, but, on the contrary, there is a general bath. This leads to a funny reverse: no longer clean; Mulan complains about the stench of unwashed dorks and is looking for an opportunity to freshen up, but vice versa.

Mulan Movie Commentary

Mulan Movie Commentary

Mulan Movie Commentary. What is the strength, sister? Confucius identified five key virtues: philanthropy, justice, wisdom, sincerity, fidelity to customs. The film engraves three virtues on the sword: loyalty, courage, honesty. The main character of the film goes against both Confucius and the sword – she lies. Yes, with the noble goal of saving an elderly lame father from being drafted, but we are clearly told from the screen: lying is bad. For a lie in those days and in those circumstances, exile or death was relied on. Mulan, characteristically, gets both. And that becomes her initiation.

And what then is the power? Strength, as Brother 2 kindly suggests, is in truth. However, “Mulan” even without prompts copes with the transmission of this simple truth: the heroine suffers from her “disguise” not only morally, but also physically – the Witch warns that lies poison her powerful qi.

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Disappearance

Yes, yes, somewhere it disappeared, but somewhere it arrived: the remake lost some fantastic elements (goodbye, the dragon Mushu and the insect Cricket!), But acquired others. In addition to Qi and Sorceress, there is a phoenix and Wuxia movie battle scenes. In places, “Mulan” even slightly resembles “The Great Wall” and other films by Zhang Yimou: here they are fighting with their sleeves and running along different walls. But unlike the “Great Wall”, the novelty uses more bright light colors, and CG is more pleasant in it.

However, Disney was more focused not on Imou chips, but on its own. Mulan is another “pole girl”: like Rei from recent “Star Wars”, she is able to pile on superior enemy forces and practically heal with the laying on of hands. And the Witch is her Kylo Ren: there are, you know, some overlaps in prehistory, dynamics and chemistry.

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Revolting Rhymes Movie Review

Revolting Rhymes Movie Review

Revolting Rhymes Movie Review. Fairy tale, why do you have such big teeth? Murder, dismemberment, perversion are just as important a component of fairy tales as a royal ball or magic clothes. At least, they were once. On the way to us from the dark depths of centuries; fairy tales gradually bleached and fluffed until they reached the condition where they can be read; or shown to even the most impressionable baby without the risk of hearing a shrill “Wow!” or get a rattle over the head.

But now the pendulum has swung in the opposite direction, and now a whole sabbath of writers, laughing ominously, inverts fairy tales, that is, rethinks them, returning them to their former bloody and stinging essence. Terry Pratchett, Neil Gaiman, Andrzej Sapkowski – and, of course, Roald Dahl managed to trample with forged boots on the strawberry meadow. Previously, Dahl had successfully filmed “The Witches” and “Charlie and the Chocolate Factory”, and now his small form – a collection of six short fairy tales, not without reason called “Bandit Poems”, has fallen into the tenacious paws of filmmakers.

Also Read: The Nest Movie Commentary 

 

Cartoon

However, only five out of six are included in the cartoon movie – the story of Goldilocks and the three bears dropped out. Probably, it did not fit into the timing and the general storyline – which the filmmakers introduced. Dahl had each of the fairy tales on its own; and in the cartoon Cinderella and Jack turned out to be neighbors, Snow White and Little Red Riding Hood were friends.

Plus an important connecting link is the Wolf, who is here on the role of a truth-teller. A seasoned forest predator is not some cute auntie for you; he will tell you how everything really happened, ripping off the covers! .. And it turns out that one of the heroines will more accurately be called Blood-Red Riding Hood, and the other – not only an oppressed stepdaughter, but also a thief.

The Nest Movie Commentary

The Nest Movie Commentary

The Nest Movie Commentary. Looking at the reverse success story without even a rough hint that in the future of the heroes at least sometime there will be a happy ending is more unpleasant than exciting. The director, by hook or by crook, lowers the characters to the bottom (sometimes completely artificially and for no reason), and then reports that his work here is over and you can go home. It’s like taking a ride from Moscow to Vladivostok, breaking your car on the way and bleeding on your heels, and then stopping at the entrance to the city and walking back.

It smells of “madness“, but still falls into the “idiocy” section. One could justify this story with some kind of metaphorical retribution for the protagonist personally, but it does not work. Lowe’s hero is not a perfect person, but his vanity and craving for excesses are not bad for those around him. The viewer would rather fully share his aspirations than begin to condemn him. Moral weather vane “Nest” rusted and broke from the light breath of the breeze, and before he had time to show the right direction at least once.

Also Read: The King of Staten Island Plot 

 

Acting Performance

Only the acting duet of Lowe and Kuhn helps this story out. Their interaction, from the daily rite of awakening to quarrels, is a real high school of acting and complete transformation into their heroes. Dialogues are active and emotional to such an extent that they can even slightly frighten with their activity and emotionality: it is not even an hour for the actors to take each other seriously and will not limit themselves to screaming.

So if you look, then only for the sake of both of them. For the rest, an evil movie came out for your dreams, especially if you are not sitting on the couch, but go to their realization. It is better not to look around, but to look directly at your path and believe that luck will be on your side. Still, Durkin went overboard with punishments sent to his characters. In reality, it is rare that a move completely destroys the life of the white stripes.

The King of Staten Island Plot

The King of Staten Island Plot

The King of Staten Island Plot is truthful. At the same time, “The King of Staten Island”, like “The Case of the Brave”, does not make firefighters shining knights without fear and reproach. They are afraid – as the station master says, everyone is afraid, and if you are not afraid, something is wrong with you. Some of them have problems with anger, money, personal life, bad habits. They are not perfect – and therefore look more alive. Scott is even relieved to learn how imperfect his father was. Idealization is capable of morally crushing – remember at least Harry Potter, whom all and sundry have compared with his famous father James Potter. No wonder Pete Davidson has a lot of respect for the Potterian.

A similar topic was raised in the recent Pixar cartoon “Onward“: there, the protagonist also lost his father and also learned with interest what he really was. A person is not only his strengths, but also his weaknesses. One-sided illumination leads to the plane of the image and the complexes of those who try to orient themselves towards it; versatile lighting allows you to convey the versatility of the personality and depict it more truthfully. Truth is as important a force as laughter.

Also Read: The King of Staten Island Movie Review 

 

Superheroes

In addition to Davidson and Buscemi, Marisa Tomei plays the role of Marge, the mother of Scott and Claire, in the film. The real Queen Dowager of Staten Island, bright and charming. Tomei is generally good at such characters; a little earlier she played (and will still play) Aunt May from “Spider-Man” and other MCU comics.

Speaking of superheroes. Even a realistic drama-comedy cannot do without them: one of the local characters loves the Punisher and invented his own superhero – Ice Flash. At the same time, the movie trends does not forget to respect other trends: it jokes about MeToo, Donald Trump, Kanye West, Jay-Z, millennials and everyone who comes to hand. The heroes are watching “Doomsday. The Beginning ”(where, by the way, Tomei played, and the action took place on Staten Island),“ SpongeBob ”,“ Game of Thrones ”. The soundtrack includes compositions by DNCE, Fivio Foreign, Sofi Tukke. But Kid Kadi’s song Just What I Am is the most symbolic; both in meaning, and in its location in the film, and in the preceding.

torii: it was Kadi’s work that helped Davidson overcome suicidal thoughts.

The King of Staten Island Movie Review

The King of Staten Island Movie Review

Smoke with fire, The King of Staten Island Movie Review. Someone’s whole life is a solid comedy. Some have drama. And someone has a chance to generously sip both of that, and another.

Local heroines believe that you can let off steam by going to a spa, to a therapist or to a nail salon. The local protagonist Scott believes that letting off steam is best helped by blowing out smoke – smoking marijuana. Or decorating yourself and others with tattoos. On Scott himself, there are already more than three dozen tattoos – see how much steam has accumulated in a person? That and look, the boiler will explode from the pressure.

In the first half hour, Scott and his comrades – the same couch junkies – evoke a feeling of awkwardness rather than sympathy. However, there are still almost four-fifths of the timing ahead (yes, the film is unhurried and stretched out in places), and the characters have time to reveal themselves. First of all, Scott himself is revealed, at the same time a king and a jester, a puffer and a chronicler – this is the story of his growing up, accepting loss and finding a way in life.

Lost Path

The path was lost because Scott’s father was a firefighter and died in execution when Scott was seven years old, and his sister Claire had not yet been born. Seventeen years have passed; but the bitterness of loss continues to strongly affect the whole family, causing quarrels and even getting involved in crime. However, the worst has already happened, and the film does not bring down anything worse than this on its heroes. Only death is irreparable, and with the rest, options are possible. Despite the abundance of obscene language and grass, this is the so-called “feel good movie” – a film that makes you feel better from watching it.

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“The King of Staten Island” reminds of the drama “A Case of the Brave”: there were also brave firefighters; and even their overpowering drug addict. But the perspective is different: in the protagonists, not the head of the firefighters squad; but the son of his deceased colleague. The two tapes are related by the fact that they are based on real events: “The King of Staten Island” is half autobiographical; the leading actor Pete Davidson also lost his firefighter father at the age of seven, only under different circumstances – during the tragedy of September 11th. And he also rolled downhill, acquired health and study problems, even thought about suicide. It helped him to get out that he learned to speak and laugh – Davidson became a successful comedian. Fun and creativity often grow out of pain.

Bravery

As in Cause of the Brave, the end credits reveal who the film is about and show a photo. “The King of Staten Island” is dedicated to Scott Davidson – the deceased father of Pete. Nepotism is enhanced by the fact that several Davidsons played in the film at once; not only Pete in the lead role, but also his grandfather Stephen in the role of; in fact, the grandfathers and sister of Casey in the role of incredible Carla.

Art of Lucky Grandma Movie

Art of Lucky Grandma Movie

Art of Lucky Grandma Movie.The heroine’s companions are indicative: people battered by life are loaded onto a regular bus during the day, they roll for several hours to the casino on the territory of the Indian reservation, at night they wearily ride the same bus back to the city – all for the sake of a ghostly chance to improve their affairs, to grab the wicked bird of luck by the tail. The series shown on TV in the house of Wong’s grandmother are also indicative: a Chinese “historian” with long-haired beauties and beauties, dressing up the emperor as a commoner, embarrassing romantic incidents – another means of escapism from a painful reality.

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Grandma Wong

Unlike the good-natured Big Pong, watch these series with skepticism and critical comments; but she does! And the fortuneteller at the very beginning of the chinese movie; again in words through her mouth, tells grandmother Wong that life has framed her, and immediately adds that she is about to bring happiness to the heroine; which will compensate for all her troubles. And when the money itself goes into the hands of the heroine (literally!), She is simply unable to resist. Granny Wong can be difficult to sympathize with, but she is easy to understand. Almost in the same way retired people who  thrown in “Leaving beautifully” and other old robbers.

Lucky Grandma Movie Review

Lucky Grandma Movie Review

Lucky Grandma Movie Review. 888 Gossip on the bench? Pushing on public transport with a trolley bag? No, this is not for the main character. If she goes anywhere, then to the casino, and if she buys something at a discount, cleverly bargaining in the process, then not slippers, but a bodyguard.

True, she is not Madame Wong, but Wong’s grandmother, so she does not rule the Chinese mafia. However, he still has some business with her – sometimes on his own, sometimes not. After all, in New York’s Chinatown, everyone knows everyone, and even a modest pensioner who honestly plowed from dawn to dawn for forty years knows that the street barker should demand bags not from Prada or DKNY, which he offers, but a limited LV: then you won’t get a bag, but something better.

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Actions

Yes, yes, the action takes place in New York, and the movie is American. But you can only guess about it by street signs and car numbers – everything around is so saturated with the atmosphere of the Celestial Empire: fortune-telling, altars, cafes, shops, serials on TV. The characters even speak mostly Chinese. Although with her son and grandchildren, Wong’s grandmother switches to English – and the theme of assimilation is one of the most important in the film. Young people still understand the language of their ancestors and, if necessary, can speak it, but they no longer know why it is impossible to put an altar in the bedroom, and prefers Western entertainment – twerk and Harry Potter.

However, the heroine’s son is not American enough to take her retired mother to a nursing home. On the contrary, he actively encourages her to move in with him, he even prepared the room. And here other key themes of the film come up – the theme of the family and the theme of respect for elders. Grandma Wong, to put it mildly, is not a gift – an eternally gloomy beech with an addiction to tobacco and gambling, deliberately getting involved in crime and stubbornly continuing to wallow in it. The bodyguard Big Pong tells her bluntly that she made all this porridge herself, stirring carefully with a spoon and sprinkling. But Grandma Wong has something to cover – and even if the law does not understand such arguments, people do.

Plot of Woman Who Ran

Plot of Woman Who Ran

Plot of Woman Who Ran. Some of the synopsis of this film try to lure the audience, at length hinting at a mystery almost on the level of David Fincher’s “Gone Girl”. But the trailer is more honest: it’s not even “Burning” by Lee Chang Dong; the local abundance of social issues was not seasoned with criminal suspense. In “The Woman Who Escaped”, only the seasoned seekers of deep meanings can dig up a reason to be intrigued: where did the neighbor’s mother disappear; who suddenly abandoned her family and seemed to disappear into thin air? Why did a friend get a discount of one hundred thousand dollars? Will the rejected stalker learn anything? But the movie does not provide answers to these questions. Nor does it answer the main question: why did the woman run away?

Although armed with a net and having caught a few bright details from the sea of ​​everyday life, one can make an assumption. Gum-hee abruptly changed her hairstyle – she cut off her hair at home, and then went to the salon. I changed some of my eating habits. Feels “something like love” for her husband and believes that this is enough; while the husband just envelops her with love (or stifles control): for five years they have never been separated, the husband works at home; knows his wife’s friends and does not approve of all of them.

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Principle

In principle, you can get pleasure from stringing scattered parts on one thread – if; like Gum-hee, you like looking at the waves of the sea or leaning out of the window and observing the surroundings; in other words, doing something optional but meditative. Or just watch, “and how are they.”

Although the difference with “what about us” is not that big; in South Korea it is also difficult to find relationships (and even harder to keep them in their former form), work, housing; but it is just as nice to climb up on the sofa and tryndet with loved ones about this and that; eat food prepared especially for you, fight burnout with the help of your favorite thing. One of the conclusions of the film is also universal: love does not have to directly depend on time and distance. You can hardly talk with those with whom you live under the same roof; you can experience a storm of feelings when you suddenly meet a “person from the past”.

Woman Who Ran Movie Commentary

Woman Who Ran Movie Commentary

Woman Who Ran Movie Commentary. To be fair, the film also gives a purely Korean features. For example, here’s a fleeting reference to the work of artist Jung Sung: the heroine compares the view of the mountain with his painting. Jung Sung is doubly not accidental here: as in the discussion of repetition and sincerity, the director-screenwriter’s ears stick out from here too. Jung Sung refused the canons, often left the workshop and painted what his eyes suddenly clung to. How can you resist comparing with Hong Sang Soo, who writes off his stories from real life, changes the script on the fly and sometimes finishes the next part right in the morning before filming?

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Opinion

Another colorful and entertaining thing: in the cinema, where the hero comes, you can drink, but you cannot eat (no crunch of chips and popcorn during the session, babble!). And translations from English and teaching provide such a well-fed life that the second spouse might not work at all.

In a word, this is not an entertaining, but a life-story movie. Realistic, intimate, fluid, conversational – sheer “what women talk about”, only almost without humor. The heroine escapes for short distances, and not so much physical as moral – escapism with an overnight stay with a friend or in the darkness of a cinema. Judging by the color of the leaves and the rain, the action takes place in the fall, but it is not accented; the heroines talk about the beauty of the mountain, but the camera does not switch to the mountain – she is much more interested in the “weather in the house” and the inner world of the heroes.

The camera zooms in on the faces, the viewer seems to be sitting in the same room with the characters, he is also a guest, like Gum-hee, only he does not enter the conversation. The only question is whether the owners will bore him.

The Stand In Movie Review

The Stand In Movie Review

The Stand In Movie Review. The authors who presented their film as a comedy themselves, most likely, do not know what a comedy should look like. Or maybe, on the contrary, they know too well. In ancient times, almost any work with a sad or even tragic beginning, but an optimistic ending, which gave the viewer a number of positive emotions, was considered a comedy. At the same time, there could be nothing funny in a comedy play. With the “understudy” about the same. Three or four funny moments for the whole movie and a positive ending – this is not something that now could even remotely be mistaken for an entertainment genre.

The heroine of the tape – the popular comedy actress Candy Black – becomes a hostage of her own role and slides downhill. When her life comes to an edge, and her career has been in the “Kevin Spacey” stage for five years, Paula returns to her – her less bitchy counterpart, who worked as her stunt double during the glory of the actress. Candy offers Paul to replace her not on the screen, but in reality, and she, who dreams of fame, agrees.

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Going Deeper

The further, the deeper both are drawn into their new lives. The understudy is crazy about fame and begins to crush Candy’s life more and more for herself, turning into a bitch. And Candy herself is glad that she can finally do what she wants, and can be absolutely free from the glitter of spotlights, turning from a bitch into a sweet home madam. At the junction of interests, however; two opposites of the same stage image have serious conflicts with beatings, betrayal, betrayal and theft. Do not forget about hysterics with tears, this is also very important. No, there is frankly nothing to laugh at here, and the authors of the tape were well aware of this.

So what is it if you try to define the genre? It all depends on the minute you start watching this tape. At first it will be funny, then melodramatic, then again a little funny; then generally sad, then some kind of tin; and in the end it will be … it is not clear how; because it is difficult to find a definition for this cocktail of feelings. The word “tragicomedy” cannot describe what you see, but it is the closest one here.

Mank Movie Commentary

Mank Movie Commentary

Mank Movie Commentary. It is not customary to discuss Gary Oldman’s acting. And with roles similar to the character, such a discussion is generally taboo. Here is just such a case. For an ordinary director to achieve success, it would be enough just to give this actor a live background, so that the film at least formally differs from a solo performance. But a good director will select worthy partners in the frame, like a filmmaker selects the right frame for a masterpiece canvas. How lucky Fincher is one of those.

“Mank” was generally lucky with him. As with his father, Jack Fincher, the scriptwriter and responsible for the original nostalgic impressions of the 1930s and 1940s. Because with all the confusion of Mankiewicz’s life shown, both Finchers manage to completely clear out any doubts about his professionalism and, in fact, the role of the first violin in Citizen Kane’s ensemble. And this is the main thing for which the film was shot.

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Personality

But what is there to do to those who have nothing to do with the personality of this very Monk and “Citizen Kane” movie in general? Alas, one can only sympathize with such people. Although there is still noir. There is not so much of him here, but he is the most purebred: a lively saxophone in the company of a plucked double bass sets the rhythm for an ever-sunny Hollywood, and an alarming clarinet is waiting for the impact of loud trumpets to properly note the skeleton falling out of the cabinet; dazzling women, fedora hats and serious men who knew how to wear them.

When was cinematography so perfect? Never. And the Finchers sigh is about that. Solid as a tweed three-piece suit, and deep as the bottom of a screenwriter’s glass. It’s definitely worth a drink for this. So splash yourself with the best whiskey you can find, and opt for a cigar as an appetizer. The Lord clearly loves Hollywood joker-alcoholics. May their cup not empty – both in this world and in that one.

Plot of Wonder Woman 1984

Plot of Wonder Woman 1984

Plot of Wonder Woman 1984. Everyone, literally everyone who was in charge of the script and art production, gruffed with relish and hammered into the setting they had chosen. From the 80s in the film only a little at the beginning, and then all together leave the past in the past and add advanced modern technologies and equipment to the plot, allowing you to drive between the USA and Africa in a couple of hours without refueling.

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Keypoints

Separately, it is worth telling about how the Cheetah was introduced. Imagine a hypothetical elementary school textbook in which the author superficially tells child readers; how drama works with a couple of deliberately exaggerated examples. Now imagine that the screenwriter of a two-hundred millionth blockbuster took from there absolutely all the stereotyped; and almost caricatured techniques for presenting a “insecure character with some complexes”, stuffing them in a couple of minutes. You don’t even need to have a rich experience of watching a movie to understand how disgusting the result was. Even some Joel Schumacher in his DC film adaptations did not cram all the well-known cliches into one scene, but gave the viewer a break. In contrast, the authors of Wonder Woman 1984 did not feel sorry for anyone.

In this complete darkness, a little insane smile gleams Pedro Pascal, who, most likely, forgot to tell that there is no need to strain. So the actor tries, and even so that

Wonder Woman 1984 Movie Review

Wonder Woman 1984 Movie Review

Wonder Woman 1984 Movie Review. Attraction of unprecedented spit. The year 2020, along with viral infections, brought new film distribution schemes to the world. They will allow producers to save money, and viewers – not to get out of safe apartments, having access to all the latest movies. Many filmmakers were rightly indignant at such a redistribution of the market – especially loudly shouted those whose films can only bring full pleasure on very large screens of cinemas. But the authors of Wonder Woman 1984 were not one of them.

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Reasons

Firstly, because they received compensation, and secondly, because they knew that the viewer of their film would not lose anything from watching at home. If you sum up all the action of a two-and-a-half-hour film, then it is unlikely that twenty minutes will be typed. And if you take from them a well-staged and entertaining action game, for which you are not ashamed yet, then … somebody, borrow a stopwatch, you can’t do without it. Home viewing will give you a complete picture of both the product; and the fact that director Patty Jenkins was just lucky with the first film, and there can be no question of any talent. With the second film, it was necessary to replace luck with experience; and the freshness of first impressions with diligence and skill. Nothing of the kind was seen when watching Wonder Woman 1984.

So, in the courtyard, a wonderful era of strange outfits and high hairstyles; and the American dream again opens the doors to daring personalities and hotheads. Diana Prince lives the ordinary life of a very wealthy lady; periodically putting on her superhero costume and beating up villains. And when the bandits are over; she languidly drinks coffee alone, walks through the dark house; and misses her first boyfriend who died in the Great War. Fortunately, she does not have to be bored for long – the authors; as best they can, introduce a couple of antagonists into the plot: Barbara Minerva; who is to become Cheetah – one of the main blood enemies of the character; and Maxwell Lord – the fulfillment of desires.