The area that Jack made famous in Whitechapel TV Series. Any enthusiast is treated with a fair amount of suspicion if he tries to build a name for himself, deftly climbing onto the shoulders of more successful predecessors. Attempts to speculate on the classics in every possible way usually lead to nothing good. The end product is likely to be secondary and is unlikely to be able to seriously interest anyone. A talented transformer is another matter. And it’s really good when a gifted beginner makes a head start from the broad shoulders of the classics, remaining with his creative thought, imagination and brains.
Among these clever girls were Ripper Street, which started last year, and its senior friend, Whitechapel. That very classic – the chewed up and down the length and breadth of the story of Jack the Ripper – is nothing more than an excuse to successfully start a completely different story. And she will touch the most famous serial killer, except for a glimpse.
But the idea that the movie author of the letter “From Hell” opened the gates there straight from Whitechapel makes sense. From this point of view, the fourth “volume” of the detective is the most entertaining: the plot, having played with various variations on the theme of killing among the population, fearlessly rushes on a witch hunt and plays with the devil, giving a touch of quite tangible mysticism to the especially down-to-earth atmosphere of the series.
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The status of a British detective makes special demands. Noblesse oblige, as they say. But that’s the beauty of it: Whitechapel doesn’t have to resort to clever tricks to get the viewer interested. The plot and without them copes with the task brilliantly, being an excellent example of an English detective thriller.
Gray streets, disgusting weather, atmospheric melodies, scenes filled with suspense and characters so well constructed that any perfectionist would envy. The same goes for the main cast, led by Rupert Penry-Jones and Phil Davis: a well-curated collection of characters based on the traditional storytelling engine of inner conflict. And the mechanism works so harmoniously that thoughts of perpetuum mobile come to mind more than once.
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